Meet Carter Sherman: A Voice at the Intersection of Culture and Policy
With a career defined by deep dives into the intricate dynamics of gender, sexuality, and the sociopolitical forces shaping them, Carter Sherman has established herself as a formidable journalistic voice. Her portfolio includes high-profile contributions to outlets such as Elle, Ms., and Los Angeles magazine, alongside a tenure as a senior reporter at Vice. Her rigorous approach to investigative storytelling has earned her significant industry recognition, including four Emmy nominations, a National Press Club Journalism Award, and a Scripps Howard Award.
Exploring the Modern Landscape of Relationships
Sherman’s recent work, The Second Coming: Sex and the Next Generation’s Fight Over Its Future, serves as a critical examination of how digital connectivity and intense political tribalism are reshaping intimacy. The book navigates the volatile terrain of modern life, connecting the dots between localized school board disputes regarding sex education and the broader, high-stakes national battle over reproductive rights.
Currently, Sherman brings her analytical lens to The Guardian, where she serves as a co-host for the podcast Stateside with Kai and Carter, continuing her mission to unpack the complexities of the American experience.
The Daily Rituals of a Journalist
Beyond the headlines and policy debates, we caught up with Sherman to discuss the personal habits that fuel her productivity. When asked about the essential items that keep her workflow moving, she pointed to a classic staple: her French press. “Being a Seattle native,” she notes, “I like to believe my particular brand of coffee snobbery is entirely justified.”
To maintain her creative momentum during demanding reporting cycles, Sherman also relies on a curated personal archive of quotes-a collection she turns to whenever she needs a fresh perspective or a spark of inspiration.
The Digital Workspace
When it comes to the chaotic reality of modern research, Sherman is no stranger to the “tab overload” phenomenon that plagues many digital-first journalists.
