A Fresh Spin on a Disco Classic: Will Clarke and Oliver Heldens Revive ‘Lost In Music’
The electronic music scene is buzzing as UK-based producer, Grammy-nominated songwriter, and podcast personality Will Clarke teams up with dance music titan Oliver Heldens. Their latest project, a high-octane reimagining of Sister Sledge’s legendary disco staple “Lost In Music,” has officially landed on Charlotte de Witte’s prestigious Époque label.
This release marks the culmination of a long-gestating creative process. Before its official debut, the track became a secret weapon in DJ sets globally, consistently sparking “track ID?” inquiries from curious crowds. With the record now available, a successful North American tour under his belt, and a relentless studio workflow, we caught up with Will to discuss the mechanics of this remix, the philosophy behind crafting enduring dance music, and the importance of prioritizing personal creative satisfaction over industry trends.
From Road-Tested Edit to Global Anthem
Congratulations on the release of “Lost In Music,” Will. It’s an absolute powerhouse. How long has this project been in the works, and what is the feeling like now that it’s finally available to the public?
It’s a massive relief, honestly. It’s been quite the odyssey from the initial concept to the final master, so seeing it finally hit the shelves is incredibly rewarding.
The Genesis of the Collaboration
The story goes that Oliver Heldens reached out after hearing your initial edit of the track. What was the original spark that drove you to put your own stamp on such a timeless disco anthem?
The inspiration behind the edit was rooted in a desire to bridge the gap between classic soul and modern club energy. Disco has a unique ability to transcend generations; according to recent industry data, disco-infused house tracks have seen a 20% increase in streaming engagement over the last two years, proving that the genre’s DNA is more relevant than ever. I wanted to take that familiar, infectious groove and inject it with the raw, driving percussion that defines today’s dancefloors. When Oli heard it and suggested we join forces, it felt like the perfect opportunity to elevate the production to a new level.
Ultimately, the best music isn’t made by chasing charts; it’s made by creating something that you, as an artist, would want to hear in a club at 3 AM. When you produce for yourself, the authenticity shines through, and that’s what makes a record truly timeless.
